{"id":34,"date":"2022-01-25T12:37:46","date_gmt":"2022-01-25T10:37:46","guid":{"rendered":"https:\/\/alombra.ooteca.artedra.net\/wp\/?p=34"},"modified":"2022-03-03T14:42:22","modified_gmt":"2022-03-03T12:42:22","slug":"artista-12","status":"publish","type":"post","link":"https:\/\/alombra.ooteca.artedra.net\/wp\/?p=34","title":{"rendered":"CINDY SHERMAN"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large obra-img\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-1024x753.jpg\" alt=\"\" class=\"wp-image-232\" srcset=\"https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-1024x753.jpg 1024w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-300x220.jpg 300w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-768x564.jpg 768w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-1536x1129.jpg 1536w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/02\/Noa-Doblas_-Cindy-Sherman-2048x1505.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Autora: Noa Doblas<\/figcaption><\/figure>\n\n\n\n<p>El disseny s\u2019inspira amb la s\u00e8rie<em> Untitled Film Stills<\/em>, una de les seves s\u00e8ries m\u00e9s feministes. S\u00f3n 84 escenificacions registrades en fotografia d\u2019escenes d\u2019una pel\u00b7l\u00edcula fict\u00edcia dels anys 1940-195, on examina els rols de les dones i q\u00fcestiona els t\u00f2pics i estereotips femenins. He volgut crear una imatge m\u00e9s actual, alterant els rols de g\u00e8nere que es donen en la moda, dibuixant un noi amb faldilla i una noia amb pantalons grans. L\u2019objectiu ha estat donar visibilitat a la llibertat individual per sobre dels estereotips socials.<br>La imatge \u00e9s en tons de grisos perqu\u00e8 les seves obres eren en blanc i negre.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns has-white-background-color has-background is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large autora-img\"><img loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"1024\" src=\"https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-715x1024.png\" alt=\"\" class=\"wp-image-370\" srcset=\"https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-715x1024.png 715w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-210x300.png 210w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-768x1099.png 768w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-1073x1536.png 1073w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas-1431x2048.png 1431w, https:\/\/alombra.ooteca.artedra.net\/wp\/wp-content\/uploads\/2022\/03\/CindySherman_Noa-Doblas.png 1980w\" sizes=\"auto, (max-width: 715px) 100vw, 715px\" \/><figcaption>Cindy Sherman<br>(Nova Jersey, 1954)<br>vista per Noa Doblas<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Artista visual que fa servir la fotografia com a mitj\u00e0 d&#8217;expressi\u00f3, protagonitzant diferents personatges i escenificant narratives de ficci\u00f3: la dona de les mil identitats.<br>A partir de les seves fotografies, impregnades d&#8217;un estil que passa per l\u00b4hiperrealisme itali\u00e0, el cinema negre i l &#8216;artifici par\u00f2dic, podem apreciar els diferents estereotips femenins que ha impulsat la societat masclista: la mestressa de casa, la prostituta\u2026<br>Les seves imatges s\u00f3n fotografia i performance a la vegada, imatges sense t\u00edtol on l&#8217;espectador ha de participar activament imaginant la hist\u00f2ria que hi ha darrera. A vegades ir\u00f2niques i amb cert humor i a vegades brutals amb mutilacions, v\u00edsceres, v\u00f2mits\u2026 ens deixa endevinar la societat que estem creant on la viol\u00e8ncia f\u00edsica contra la dona \u00e9s una opci\u00f3 viable i acceptada.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El disseny s\u2019inspira amb la s\u00e8rie Untitled Film Stills, una de les seves s\u00e8ries m\u00e9s feministes. S\u00f3n 84 escenificacions registrades en fotografia d\u2019escenes d\u2019una pel\u00b7l\u00edcula fict\u00edcia dels anys 1940-195, on examina els rols de les dones i q\u00fcestiona els t\u00f2pics i estereotips femenins. He volgut crear una imatge m\u00e9s actual, alterant els rols de g\u00e8nere [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":232,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34"}],"version-history":[{"count":11,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions"}],"predecessor-version":[{"id":371,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/posts\/34\/revisions\/371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=\/wp\/v2\/media\/232"}],"wp:attachment":[{"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alombra.ooteca.artedra.net\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}